Tag Archives: film

The 9 People You Meet In A Film-Review Comment Thread

By Friday, Walter Chaw’s Prometheus review was on its way to being the most-clicked-ever at Film Freak Central, where I write sometimes. Walter and site editor Bill Chambers assessed its wealth of reader comments, goaded on by me, Abby Holmes … Continue reading

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Vaudevillain

Not only does the bad guy get all the best lines (if you’ve made your movie properly) — sometimes he has all the best moves.

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Mildly Updated: 5 Subtle Things I Liked About SALT (2010) … w/ spoilers

Salt, in case you’ve forgotten, was the sneaky popcorn movie with Angelina Jolie (in a part originally written for Tom Cruise) as an elite U.S. covert agent who’s actually an elite covert Russian agent. Planted in American society as a … Continue reading

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Wednesday’s Heroes: Henry Silva

There’s a certain Schrödingerian honor in being That Guy. You both are and are not a “star,” depending on who’s watching, but you nonetheless get hired for films and TV shows because you’re recognizable, you’re dependable, and damned if you … Continue reading

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Trailer: The Movie

The Golden Trailer Awards should be a bigger telecast than the Oscars. At least that way we’d all have seen the same things before the envelopes got opened. Trailers are the real way we conceptualize a film — they’re forward-memories, … Continue reading

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Because It Is Sunday And Because It Is My Blog

At the Film Freak Central blog, I chew my cud over the passing of film director Roy Ward Baker — he of The Vampire Lovers (above) and Quatermass and the Pit, not to mention A Night To Remember — and how … Continue reading

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Steady ‘Hands’

Last night’s episode of “Mad Men,” “Hands and Knees,” was helmed by Seattle director Lynn Shelton. After becoming familiar with Shelton’s pores-and-all approach to achieving intimacy with her subjects, and her dedication to improvising her way to a larger story, … Continue reading

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Alex Cox and the Problem of Patronage

The Renaissance as an art explosion probably needed the Medicis, but does modern film need a similar relationship with the government? Most filmmakers in the U.S. would love a federal sugar daddy, but not for any of the strings attached. … Continue reading

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